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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">scidial</journal-id><journal-title-group><journal-title xml:lang="ru">Научный диалог</journal-title><trans-title-group xml:lang="en"><trans-title>Nauchnyi dialog</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2225-756X</issn><issn pub-type="epub">2227-1295</issn><publisher><publisher-name>Limited Liability Company "Center for Scientific and Educational Projects" (CSEP)</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.24224/2227-1295-2021-2-259-275</article-id><article-id custom-type="elpub" pub-id-type="custom">scidial-2439</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ЛИТЕРАТУРОВЕДЕНИЕ. ЖУРНАЛИСТИКА. ФОЛЬКЛОРИСТИКА</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>LITERARY STUDIES. JOURNALISM. FOLKLORE</subject></subj-group></article-categories><title-group><article-title>Англоязычная поэзия Кении на рубеже веков : опыт прошлого и художественная трансформация</article-title><trans-title-group xml:lang="en"><trans-title>Anglophone Poetry in Kenya at the Turn of the Century: Past Experience and Artistic Transformation</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0003-3155-413X</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Фролова</surname><given-names>Н. С.</given-names></name><name name-style="western" xml:lang="en"><surname>Frolova</surname><given-names>N. S.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Фролова Наталья Сергеевна, кандидат филологических наук, старший научный сотрудник </p><p>Москва</p></bio><bio xml:lang="en"><p>Natalia S. Frolova, PhD in Philology, Senior Researcher </p><p>Moscow</p></bio><email xlink:type="simple">samaki@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Институт мировой литературы им. А. М. Горького Российской академии наук (ИМЛИ РАН)</institution><country>Россия</country></aff><aff xml:lang="en"><institution>A. M. Gorky Institute of World Literature of the Russian Academy of Sciences (IMLI RAS)</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2021</year></pub-date><pub-date pub-type="epub"><day>03</day><month>03</month><year>2021</year></pub-date><volume>0</volume><issue>2</issue><fpage>259</fpage><lpage>275</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Фролова Н.С., 2021</copyright-statement><copyright-year>2021</copyright-year><copyright-holder xml:lang="ru">Фролова Н.С.</copyright-holder><copyright-holder xml:lang="en">Frolova N.S.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://www.nauka-dialog.ru/jour/article/view/2439">https://www.nauka-dialog.ru/jour/article/view/2439</self-uri><abstract><p>Рассматриваются основные тенденции развития англоязычной поэзии Кении рубежа XX—XXI веков. Основным материалом служат сборники стихов кенийских поэтов, впервые изданные в начале 2000-х годов. Особое внимание уделяется идейно-художественной трансформации в творчестве молодого поколения кенийских поэтов ключевых направлений развития кенийской англоязычной поэзии, сложившихся в первой половине XX века. Новизна исследования заключается в выводе о преемственности англоязычными кенийскими поэтами рубежа веков опыта поэтов старшего поколения, что выражается в освоении двух ключевых направлений развития кенийской англоязычной поэзии: социально-политического и философски-лирического. При этом в творчестве нового поколения кенийских авторов отмечаются принципиальная смена художественного метода и стилевая трансформация: в отличие от своих предшественников молодые кенийские поэты все больше тяготеют к использованию рифмы, выраженной иносказательности и образности, а также берут на вооружение ранее не опробованные приемы, например, использование элементов молодежной субкультуры. Привлечен новый материал, многие имена впервые вводятся в обиход отечественной и мировой африканистики</p></abstract><trans-abstract xml:lang="en"><p>The main trends in the development of the English-language poetry of Kenya at the turn of the XX—XXI centuries are considered. The main material is a collection of poems by Kenyan poets, first published in the early 2000s. Particular attention is paid to the ideological and artistic transformation in the work of the young generation of Kenyan poets of the key directions in the development of Kenyan English-language poetry, which developed in the first half of the XX century. The novelty of the research lies in the conclusion about the continuity of the experience of the older generation poets by the English-speaking Kenyan poets, which is expressed in the development of two key directions of the development of Kenyan English-language poetry: socio-political and philosophical-lyric. At the same time, a fundamental change in the artistic method and style transformation is noted in the work of the new generation of Kenyan authors: unlike their predecessors, young Kenyan poets are increasingly gravitating towards the use of rhyme, expressed allegory and imagery, and also adopting previously untested techniques, for example, the use of elements of youth subculture. New material has been brought in, many names are first introduced into the everyday life of domestic and world African studies.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>англоязычная поэзия Кении</kwd><kwd>литература XXI века</kwd><kwd>поэзия протеста</kwd><kwd>обличительная поэзия</kwd><kwd>философская лирика</kwd><kwd>Ида Макоха-Нагайо</kwd><kwd>Нельсон Алусала</kwd><kwd>Эрик Мванги</kwd><kwd>Каролин Ндериту</kwd><kwd>Капкирвок Джейсон</kwd></kwd-group><kwd-group xml:lang="en"><kwd>English poetry of Kenya</kwd><kwd>literature of the XXI century</kwd><kwd>poetry of protest</kwd><kwd>accusatory poetry</kwd><kwd>philosophical lyrics</kwd><kwd>Ida Makokha-Nagayo</kwd><kwd>Nelson Alusala</kwd><kwd>Eric Mwangi</kwd><kwd>Caroline Nderitu</kwd><kwd>Trap Jaso</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Фролова Н. С. 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