This article examines the landscape lyric poetry of Khabarovsk-based poet Ludmila Ivanovna Milanich (1934–2018). The study aims to identify the specific modes through which metaphysical motifs are embodied within her pastoral verse. The primary material consists of poems drawn from the collection “Music of a New Day” (Khabarovsk, 2006), with over fifty individual texts subjected to close reading. Employing comparative-typological and motif-oriented approaches to textual analysis, the paper traces the manifestation of key existential ideas and elucidates the nature of imagery characteristic of Milanich's poetic idiom. The argument demonstrates that the poetics of Milanich's landscape lyrics is fundamentally grounded in the notion of cosmic wholeness and ontological unity. Central to her conceptual framework are the notions of GOD, MUSIC, WORD, SUN, and the FEMININE PRINCIPLE, alongside the pervasive idea of an inherent creative impulse animating the world. The present work analyzes the formal strategies employed for the poetic embodiment of these mythologems. Furthermore, the article delineates points of convergence between Milanich's oeuvre and the literary output of the Soviet “Sixtiers” generation. A detailed case study addresses the deployment of the grasshopper narrative. These observations contribute significantly to refining our understanding of the historical-literary trajectory of Russian literature during the second half of the twentieth century.