Analogies in Yakut Olonkho and Tuvan Epos: Plot-Compositional Structure, Motives (based on the Epics “Nyurgun Bootur the Swift” by G. K. Orosin and “Hunan-Kara” Changchi-Khoo Oorzhak)

The results of a comparative analysis of the texts of the Yakut and Tuvan epics in order to establish common features in the epic heritage of the Yakut and Tuvan peoples are presented in the article. The relevance of the study is due to the problem of searching for the genetic origins of the formation of the heroic epic in modern epiconception. The degree of knowledge of the problem, the style of performance of the epic in a comparative perspective are examined. Particular attention is paid to the analysis of the plot-compositional structure, plot-forming motifs. As a result of the study, data were revealed that testify to the undeniable occurrence of epic legends of the Yakut and Tuvan peoples at the interface of their historical and spiritual contacts in the Turkic-Mongolian world, about their common genetic origins. Analogies are found in the manner of performing the storytellers. The proximity of the plot-compositional structure was discovered: in both epic literary texts there are all elements of the plot composition, stable for the Turkic-Mongolian epics. It is established that in the studied works the themes of matchmaking of bogatyr-heroes and their heroic campaigns, battles with monsters in order to protect fellow tribesmen are in contact. Both epics contain ancient motifs: parents provide heroes with heroic armor and a horse; description of a horse-friend, heroism; matchmaking and marriage, etc.

epic, Yakut olonkho, Tuvan legend, comparative study, Türks, plot, motives, typological communities