Proletkult's Writer Project of 1918-1921 as a Creative Utopia
https://doi.org/10.24224/2227-1295-2025-14-10-349-369
Abstract
This study investigates the activities of Proletarian Cultural-Educational Organizations (Proletkult) as a creative utopia. It explores issues related to the homogeneity of utopian, mythological, and aesthetic thinking. The sources include periodicals published by Proletkult. For the first time, data is introduced into scholarly circulation that allows interpreting Proletkult projects as precursors to contemporary inquiries in the field of creative industries. Attention is given to how the creativity of proletkult members continued the search for a “Russian Renaissance” as a modernist utopia reconstructing the romantic type of creation, within which literature appeared as a form of neo-religion. The authors argue that this attitude towards literature reflects the Russian cultural code. The study raises questions about such qualities of the Russian cultural code as the special status of literature as an arena for truth-seeking and the perception of language as demiurgic logos. It is demonstrated that through their myth-making, proletkult members not only propagated proletarian culture but also created a neoreligion based on the cult of the proletariat as a collective messiah. The novelty of the research lies in its retrospective approach to creativity through analysis of Proletkult’s activities, which provided a powerful impetus for the development of mass amateur creativity among the people during the early years of Soviet Republic.
About the Authors
O. A. PavlovaRussian Federation
Olga A. Pavlova, Doctor of Philology, Associate Professor, editor of the journal “Cultural Life of the South Russia”, Department of Social and Cultural Activities
Krasnodar
K. M. Martirosyan
Russian Federation
Karen M. Martirosyan, Doctor of Philosophy, PhD in History, Associate Professor, Dean of the Faculty of Humanities, Department of Socio-Cultural Activities
Krasnodar
L. N. Kondratieva
Russian Federation
Lyudmila N. Kondratieva, PhD in Cultural, Associate Professor, Head of the Department Socio-Cultural Activities
Krasnodar
References
1. Alekseeva, G. D., Mankin, A. V. (1986). L. A. Pinegina. The Soviet working class and art culture. 1917—1932. History of the USSR, 2: 169—171. (In Russ.).
2. Choni, P., Arias-Vihil, M. A. (2019). Memories of the Caprian school. Scientific notes of the Novgorod State University named after Ya. Wise, 1 (19): 1—7. DOI: 10.34680/ m7tz-0s85. (In Russ.).
3. Degtyarev, A. K. (2021). Cultural construction in Soviet Russia in the 1920s: the experience of comprehension in modern Russian cultural space. Science. Art. Culture, 2 (30): 18—30. (In Russ.).
4. Fitzpatrick, Sh. (1992). The Cultural front: Power and Culture in Revolutionary Russia. Itacha and London: Cornell University Press. 264 p. ISBN 9780801495168.
5. Guilford, J. P. (1950). Creativity. American Psychologist, 5 (9): 444—454.
6. Ivantsov, D. S. (2006). The phenomenon of proletcult in the cultural and historical aspect. Author’s abstract of PhD Diss. Kirov. 18 p. (In Russ.).
7. Kalistratov, Yu. K. (1998). The working class and Soviet culture in the 20—30s. Doct. Diss. Nizhny Novgorod. 426 p. (In Russ.).
8. Karpov, A. V. (2003). Literary aesthetics of proletkult in the context of Russian revolutionary culture. Bulletin of Omsk University, 3: 101—104. (In Russ.).
9. Khomyakova, Yu. O. (2018). “In moments of origi joy”: proletkult as a forgotten link between symbolism and socialist realism. International Journal of Cultural Studies, 2 (31): 115—125. (In Russ.).
10. Khrustaleva, A. V. (2024). Saratov Association of Proletarian writers as a provincial episode in the history of the All-Russian Association of Proletarian Writers. Slavic Literatures, 146—148: 121—145. DOI: 10.1016/j.slalit.2024.05.002. (In Russ.).
11. Kolychev, P. M., Khakhalova, A. A. (2018). Socio-philosophical understanding of the political origins of proletarian culture. Bulletin of the People’s Friendship University of Rus
12. sia. Series: Philosophy, 22 (2): 206—216. DOI: 10.22363/2313-2302-2018-22-2- 206-216. (In Russ.).
13. Kostyakova, Yu. B., Titova, V. S. (2018). Amateur poetry and the press during the Civil War (on the example of the newspaper “Krasnoyarsk Worker” for 1920). Questions of the theory and practice of journalism, 7 (1): 42—58. DOI: 10.17150/2308- 6203.2018.7(1) .42-58. (In Russ.).
14. Levchenko, M. A. (2001). Poetry of the proletariat: ideology and rhetoric of the revolutionary era. Author’s abstract of PhD Diss. St. Petersburg. 18 p. (In Russ.).
15. Maksimenko, E. P. (1996). The concept of “proletarian culture” in the ideological and political legacy of A. A. Bogdanov. PhD Diss. Moscow. 209 p. (In Russ.).
16. Mally, L. (1990). Culture of the Future: The Proletkult Movement in Revolutionary Russia. Oakland: University of California Press. 306 р. ISBN 978-0520065772.
17. Matskevich-Dukhan, I. A. (2021). Creative society: from concept to theory. Minsk: Belorusskaya Nauka Publ. 294 p. ISBN 978-985-08-2764-7. (In Russ.).
18. Morozov, S. A., Pavlova, O. A., Prokhoda, P. V. (2023). Retransmission of the cultural code in creative industries: an axiological aspect. Cultural life of the South of Russia, 3: 33—47. DOI: 10.24412/2070-075X-2023-4-33-47. (In Russ.).
19. Moskovskaya, D. S. (2021). Literary circles as a tool for building proletarian culture. 1920— 1932 (according to the documents of the IMLI RAS Department of Manuscripts). Bulletin of Slavic Cultures, 61: 189—198. DOI: 10.37816/2073-9567-2021-61-189- 198. (In Russ.).
20. Nikolaeva, L. S. (1997). Theory and practice of “Proletkult”. 1917—1932. Author’s abstract of PhD Diss. Moscow. 29 p. (In Russ.).
21. O'Connor, T. E. (1992). Anatoly Lunacharsky and Soviet cultural policy. Moscow: Progress.
22. p. ISBN 5-1-2919-7. (In Russ.).
23. Pavlova, O. A. (2004). Metamorphoses of literary utopia: a theoretical aspect. Volgograd: Volgograd Scientific Publishing House. 471 p. ISBN 5-98461-016-7. (In Russ.).
24. Pavlova, O. A. (2005). Russian literary utopia of the 1900s—1920s. In the context of Russian culture. Volgograd: Volgograd Scientific Publishing House. 695 p. ISBN 5-98461- 189-9. (In Russ.).
25. Pavlova, O.A. (2024). Renaissance and decadence as the epochs of the formation of the modern understanding of creativity. Sphere of culture, 3 (17): 27—23. DOI: 10.48164/2713- 301X_2024_17_27. (In Russ.).
26. Pinegina, L. A. (1984). The Soviet working Class and artistic culture, 1917—1932. Moscow: Publishing House of Moscow State University. 240 p. (In Russ.).
27. Read, C. (1990). Culture and Power in Revolutionary Russia. London: Macmillan. XII, 266 p. ISBN 0-333-49792-9.
28. Ryabov, A. V. (2024). The struggle for aesthetic monopoly in the early years of Soviet power. Theory and history of culture, 3: 13—20. DOI: 10.25257/KB.2024.3.13-20. (In Russ.).
29. Surovtsev, Yu. (1975). Proletkult and proletkultovism. Questions of literature, 4: 256—262. (In Russ.).
30. Suvorova, A. A. (2021). Soviet naive art: between conformity and nonconformism. New Art studies, 3: 82—90. DOI: 10.24412/2658-3437-2021-3-82-90. (In Russ.).
31. Williams, T. S. (2002). Creative Utopia: 12 ways to realize total creativity. Massachusetts: Adams Media. 192 р. ISBN-13: 978-1581801736.
32. Yudin, M. V. (2001). Activity of the Moscow Proletkult in 1918—1925. Author’s abstract of PhD Diss. Moscow. 29 p. (In Russ.).
33. Yudin, M. V. (2020). Theory of proletarian culture: origins and evolution. Bulletin of Slavic Cultures, 58: 84—100. DOI: 10.37816/2073-9567-2020-58-84-100. (In Russ.).
34. Yudin, M. V. (2022). The creator of the new: from the experience of the Moscow Proletkult. Bulletin of Slavic Cultures, 66: 88—98. DOI: 10.37816/2073-9567-2022-66-88-98. (In Russ.).
35. Zaslavskaya, O. V. (2017). Proletarian Theater and the Comintern: the transnational context of the creation of International associations of worker’s theaters (1926—1932). Steps, 3: 45—67. DOI: 10.22394/2412-9410-2017-3-3-45-67. (In Russ.).
Review
For citations:
Pavlova O.A., Martirosyan K.M., Kondratieva L.N. Proletkult's Writer Project of 1918-1921 as a Creative Utopia. Nauchnyi dialog. 2025;14(10):349-369. (In Russ.) https://doi.org/10.24224/2227-1295-2025-14-10-349-369






















