Classicist Development of FATHER-SON Topos in “The Adventures of Telemachus” by Fénelon
https://doi.org/10.24224/2227-1295-2024-13-5-198-214
Abstract
This article analyzes the “father-son” topos in “The Adventures of Telemachus” by Fénelon in relation to the cultural-historical situation and philosophical-aesthetic achievements of the 17th century. It explores the complex interactions of mythological motifs and the results of their individual-authorial artistic embodiment in Fénelon’s novel. The basis for understanding the “father-son” topos in a new anthropological paradigm is revealed, focusing on the image of the evolving individual capable of justifying the historical possibility of a more rational social structure. The influence of the philosophical and ethical situation of the era on the interpretive characteristics of the topos in the novel is determined. The evolution of the traditional archaic image of the epic hero is traced with a shift in roles. It is argued that the novel depicts not only traditional mythological tests of strength but also new “psychological” tests arising from changes in the philosophical-ethical situation: loneliness, love, power. The study’s novelty lies in identifying the author’s ideological stance shaping the topos “the ruler’s love for his people as for a son.” The research confirms the thesis of the determining influence of worldview attitudes of the era and cultural coordinates on the historical fate of the topos as a literary phenomenon.
About the Author
A. E. BaretskayaRussian Federation
Alla E. Baretskaya - PhD in Philology, Associate Professor, Institute of Linguistics and Intercultural Communication.
Moscow
References
1. Assuirova, L. V. (2003). Toposes as rhetorical categories and structural and semantic models of utterance generation. Author’s abstract of Doct. Diss. Moscow. 37 p. (In Russ.).
2. Autukhovich, T. E. (2005). Topic in the change of literary epochs. In: Poetry of rhetoric: es-says of theoretical and historical poetics. Minsk: RIGA. 204 p. ISBN 985-6741-70-X. (In Russ.).
3. Averintsev, S. S. (2004). Poetics of early Byzantine literature. St. Petersburg: ABC Classics. 480 p. ISBN 5-352-00743-X. (In Russ.).
4. Bakhtin, M. M. (1986). Aesthetics of verbal creativity. Moscow: Iskusstvo. 445 p. (In Russ.).
5. Bondarev, A. P. (1994). The poetics of the French novel of Modern times (On the problem of the genesis, formation and evolution of the genre). Author’s abstract of Doct. Diss. Moscow. 34 p. (In Russ.).
6. Curtius, E. R. (2020). European literature and the Latin Middle Ages, 1. Moscow: Publishing House YASK. 560 p. ISBN 978-5-907290-47-1. (In Russ.).
7. Dorofeev, D. Yu. (2015). Personality and communications. Anthropology of the oral and written word in ancient culture. St. Petersburg: RHGA. 640 p. ISBN 978-5-88812-748-3. (In Russ.).
8. F. de la Rochefoucauld. (1974). Characters, 42. Moscow: Fiction. 638 p. (In Russ.).
9. Fenelon, F. (2011). Telemak. Moscow: RIMIS, 2011. 352 p. ISBN 978-5-9650-0084-5. (In Russ.).
10. Filonov, E. A. (2020). “Being as a book”: topos — formula — cliche (to the problem of the topic of Modern times). Bulletin of St. Petersburg University. Language and literature, 17 (2): 196—216. DOI: 10.21638/spbu09.2020.203. (In Russ.).
11. Kirsanov, V. S. (1987). The Scientific Revolution of the XVII century. Moscow: Nauka. 343 p. (In Russ.).
12. Kosykh, G. (2021). “The old man” — “the new man” in the works of F. Fenelon. New Russian studies, 2 (XIV): 45—57. DOI: 10.5817/NR2021-2-4. (In Russ.).
13. Kotsyubinsky, S. D. (2018). Works on French literature of the XVII century. Nizhny Novgorod: Radonezh. 218 p. ISBN 978-5-6041797-1-0. (In Russ.).
14. Kuznetsov, B. G. (2010). Evolution of the worldview. Moscow: URSS. 352 p. (In Russ.).
15. Losev, A. F. (1960). Homer. Moscow: Uchpedgiz. 351 p. (In Russ.).
16. Lovernia-Garnier, K. (2007). The history of French literature. Moscow: Academy. 464 p. ISBN 978-5-7695-3021-0. (In Russ.).
17. Makhov, A. E. (2011). “Historical topic”: a section of rhetoric or a field of comparative studies? Voprosy Literatury, 4: 275—289. (In Russ.).
18. Makhov, A. E. (2010). Veselovsky — Curtius. Historical poetics — historical rhetoric. Vo-prosy Literatury, 3: 182—202. (In Russ.).
19. Meletinsky, E. M. (1994). On literary archetypes, 4. Moscow: RGGU. 136 p. (In Russ.).
20. Mikhailov, A. D. (2009). From Francois Villon to Marcel Proust: Pages of the history of French literature of Modern times (XVI—XIX centuries), 1. Moscow: Languages of Slavic Cultures. 472 p. ISBN 978-5-9551-0474-4. (In Russ.).
21. Oblomievsky, D. D. (1968). French classicism. Essays. Moscow: Nauka. 381 p. (In Russ.).
22. Sadikova, V. A. (2015). On the question of linguistic topology. Bulletin of Tver State University. The series “Philology”, 4: 44—49. (In Russ.).
23. Stepanov, A. D. (2018). The concept of “topos” — the problem of borders. The world of the Russian word, 2: 41—46. DOI: 10.24411/1811-1629-2018-12041. (In Russ.).
24. Vasilyeva, I. E. (2018). Topos in the culture of Modern times: towards the formulation of the problem. The world of the Russian word, 4: 70—78. DOI: 10.24411/1811-1629-2018-14070. (In Russ.).
25. Veselovsky, A. N. (2011). Favorites: Historical poetics. St. Petersburg: University Book, Center for Humanitarian Initiatives. 687 p. ISBN 978-5-98712-055-2. (In Russ.).
Review
For citations:
Baretskaya A.E. Classicist Development of FATHER-SON Topos in “The Adventures of Telemachus” by Fénelon. Nauchnyi dialog. 2024;13(5):198-214. (In Russ.) https://doi.org/10.24224/2227-1295-2024-13-5-198-214