Interaction of Narrative and Lyrical Principles in Texts of Contemporary Musical Performers
https://doi.org/10.24224/2227-1295-2021-4-112-128
Abstract
A comprehensive linguistic study of the functional features of the linguistic and communicative-pragmatic organization of narrative in text materials posted on the Internet platform is presented. Particular attention is paid to how the interpenetration of the narrative and lyrical principles occurs within one work. The material for the research was the text of the hip-hop opera “Orpheus & Eurydice” posted on the re-source “Yandex.Music”. A complex technique of interpretation of narrative strategies based on the methods of functional-stylistic, communicative-pragmatic and lexical-semantic analysis was used. The question is raised about the peculiarities of the functioning of the lyric text within the narrative and about their relationship. The role played by the mythologization of the narrative text is shown in the article. The novelty of the research is seen in the fact that the author describes the relationship be-tween narrative and lyricism in the work. The question of establishing the determinants of hip-hop narrative is raised. The structure of a narrative text with elements of lyricism is considered. The results of the analysis of the peculiarities of the linguistic embodiment of the narrators and actants are presented. The author dwells on the communicative-functional structure of the studied text, describing the specific functions of the narrative with fragments of lyricism. A model for determining the leading type of cognitive modeling (narrative or lyrics) through the functional and linguopragmatic study of the hip-hop text is proposed.
About the Author
E. S. Moshtyleva
National Research Lobachevsky State University of Nizhny Novgorod
Russian Federation
Russian Federation
Ekaterina S. Moshtyleva - Senior Lecturer, Department of Forensic Science of the Faculty of Law; Post-graduate student, Department of Theoretical and Applied Linguistics, Institute of Philology and Journalism.
Nizhny Novgorod
References
1. Bakhtin, M. M. (1997). From archival records to the work “The problem of speech genresˮ. In: Collected works, 5. Moscow: Russian Word. 209. (In Russ.).
2. Bart, R. (1989). Selected works: semiotics, poetics. Moscow: Progress. 616 p. (In Russ.).
3. Bart, R. (2000). An Introduction to Structural Analysis of Narrative Texts. In: French semiotics: from structuralism to poststructuralism. Moscow: Progress. 196—238. (In Russ.).
4. Boichenko, A. E., Zhuchkova, S. V. What is inside russian rap? Topic modeling of the texts of the russian-speaking hip-hop stage. The Journal of Sociology and Social Anthropology, 23(2): 130—165. — DOI: https://doi.org/10.31119/jssa.2020.23.2.6. (In Russ.).
5. Bozrikova, S. A., Tataru, L. V. (2012). Narrative journalism in America and Russia. Balashov: Nikolaev. 120 p. (In Russ.).
6. Chernukhina, I. Ya. (1987). General features of the poetic text. Voronezh: Voronezh State University. 158 p. (In Russ.).
7. Chevtaev, A. A. Critical commentary on the article by L. V. Tataru “Narrative and cognitive nature of lyrics (based on the material of English poetry of the 17th-18th centuries)”. Narratorium, 1—2 (5—6). Available at: http://narratorium.rggu.ru/article.html?id=2631083. (In Russ.).
8. Eco, U. (2016). The role of the reader: research on the semiotics of the text. Moscow: AST: Corpus. 640 p. (In Russ.).
9. Eco, U. (2018). Open work = Opera Aperta: form and uncertainty in contemporary poetics. Moscow: AST: Corpus. 507 p. (In Russ.).
10. Fedoseeva, E. V. (2013). Discursive creativity of a writer in a rhetorically modified mass media discourse. Bulletin of Irkutsk State Technical University, 1 (72): 288—292. (In Russ.).
11. Frey, J. N. (2007). How to write a novel of genius. St. Petersburg: Amphora. TID Amphora, 255 p. (In Russ.).
12. Ginzburg, L. Ya. (1977). About psychological prose. Leningrad: Fiction. 443 p. (In Russ.).
13. Ginzburg, L. Ya. (1979). About the literary hero. Leningrad: Soviet writer. 223 p. (In Russ.).
14. Greimas, A. -J. (2000). Discourse on actant models. In: French semiotics: from structuralism to poststructuralism. Moscow: Progress. 153—170. (In Russ.).
15. Kolosova, P. A. (2017). The “unreliable storyteller” technique as a translation difficulty (in the novel by Joanne Harris “Gentlemen and Players”). Vestnik TVGU. Series Philology, 4: 204—208. (In Russ.).
16. Korman, B. O. (1972). Study of the text of a work of art textbook. Moscow: Education. 113 p. (In Russ.).
17. Kraft, T. (1999).Sentimental boxer Vysotsky: analysis of syncretic works. In: World of Vysotsky. Moscow: GKTsM of V. S. Vysotsky. III (1): 161—169. ISBN 5-88673-011-7. (In Russ.).
18. Kuzmina, N. A. (ed.). (2011). Modern media text. Omsk: OSU im. F. M. Dostoevsky. 414 p. (In Russ.).
19. Kuznetsov, S. A., Oleynikov, S. M. (2014). Expert research on cases of recognition of information materials as extremist: theoretical foundations and methodological guidance. Moscow: V. Ema Publishing House. 312 p. (In Russ.).
20. Kvaskova, L. V. (2018). Narrative as a form of indirect communicative tactics. Teacher XXI century, 3-2: 333—339. (In Russ.).
21. Lassan, E. (2018). Rap battles as a cultural and linguocultural phenomenon. Communicative studies, 3 (17): 129—143. DOI: 10.25513/2413-6182.2018.3.129-143. (In Russ.).
22. Lastochkina, A. S., Korobova, D. N. (2017). On the semantics of unreliable narration. Bulletin of St. Petersburg University. Language and Literature, 14/3: 317—325. (In Russ.).
23. Lukanina, M. V., Salieva, L. K. (2014). Narrative manipulation. State administration, 46: 210—222. (In Russ.).
24. Nevzglyadova, E. V. (2015). Intonation theory of verse. St. Petersburg: Nestor-History. 157 p. (In Russ.).
25. Radbil, T. B. (2017). Communicative and cognitive foundations of the theory of narrative in modern humanitarian knowledge. Communicative research, 1/1 (11): 23—35. (In Russ.).
26. Radbil, T. B. (2019). Lyrics and narration as two versions of cognitive modeling of reality. Criticism and semiotics, 2: 171—182. DOI: 10.25205/2307-1737-2019-2-171-182. (In Russ.).
27. Schmid, V. (2003). Narratology. Moscow: Languages of Slavic culture. 312 p. (In Russ.).
28. Shaikhutdinova, A. M. (2017). Linguistic characteristics of the unreliability of the narrator (based on the material of modern British literature). Bulletin of Bryansk State University, 4: 252-257. (In Russ.).
29. Shklovsky, V. (1929). On the theory of prose. Moscow: Federation. 265 p. (In Russ.).
30. Sokolov, A. N. (1968). The theory of style. Moscow: Art. 224 p. (In Russ.).
31. Sokruta, E. Yu. (2018). Narrative characteristics of news discourse in the era of new mediality. New philological bulletin, 2 (45): 39—46. DOI: 10.24411/2072-9316-2018-00013. (In Russ.).
32. Sviridov, S. V. (2002). Rock art and the problem of synthetic text. In: Russian rock poetry: text and context. Tver: Tver State University. 6: 5—32. (In Russ.).
33. Tataru, L. V. (2013). Narrative and cognitive nature of lyrics (based on the material of English poetry of the 17th-18th centuries). Narratorium, 1—2 (5—6). Available at: http://narratorium.rggu.ru/article.html?id=2631082. (In Russ.).
34. Tripolskaya, T. A., Shpilman, M. V. (2002). Language mask as a communicative strategy of a linguistic personality. In: Problems of interpretive linguistics: interaction of language categorization and creative activity of an individual: interuniversity col-lection of scientific papers. Novosibirsk: NGPU. 63—74. (In Russ.).
35. Tsvigun, T. V., Chernyakov, A. N. (2019). Myth as a source of cultural legitimation: rock of the rap version of “Orpheus and Eurydice”: article one. Bulletin of the Immanuel Kant Baltic Federal University. Ser.: Philology, pedagogy, psychology, 4: 72-92. (In Russ.).
36. Tyupa, V. I. (2012). Genealogy of lyric genres. News of Southern Federal University. Philo-logical sciences, 4: 8—31. (In Russ.).
37. Tyupa, V. I. (2017). News discourse as a narratological problem. New philological bulletin, 3 (42): 40—51. (In Russ.).
38. Uspensky, B. A. (1995). Poetics of composition: the structure of literary text and typology of compositional form. In: Semiotics of art. Moscow: School “Languages of Russian Cultureˮ. 7—218. (In Russ.).
39. Yakobson, R. O. (1975). Linguistics and poetics. In: Structuralism: “pros” and “cons”. Moscow: Progress. 193—230. (In Russ.).
40. Zhdanova, A. V. (2009). On the history of the emergence of the phenomenon of unreliable narration. Bulletin of the Tatishchev Volga University, 2: 151—164. (In Russ.).
Review
For citations:
Moshtyleva E.S. Interaction of Narrative and Lyrical Principles in Texts of Contemporary Musical Performers. Nauchnyi dialog. 2021;(4):112-128. (In Russ.) https://doi.org/10.24224/2227-1295-2021-4-112-128
Views:
752
Email this article 