Axiology of Subject of Declarative-Publicistic Poetry (First Collection of Soviet Kabardian Poets “First Step”)
https://doi.org/10.24224/2227-1295-2021-10-265-281
Abstract
The problem of the axiology of the subject of declarative-publicistic poetry is considered in the article. The concepts of “publicistic poetry”, “declarative-publicistic poetry”, “propaganda poetry” are commented on. On the basis of a number of works devoted to the image of the “new woman”, which was actual in the proletarian poetry of the 1920s and 1930s, the elements defining the axiology of the subject are revealed. The collection of Soviet Kabardian poetry “First step” is researched. The purpose of the article is to reveal the nuances of value, which in the national “variants” of Soviet literature supplemented the canons of expression of a typical subject that have developed in Russian propaganda poetry. Attention is paid to the semantic content of the poetic “we”, the spatial and temporal aspects of the representation of the poetic subject, the nature of the relationship of the poetic statement subject to the main character. The axiological subtext of the details of clothing is demonstrated in the context of the opposition of two temporal plans, which is relevant for agitation poetry. It is proved that the representation of the subject of agitation poetry at the junction of two time plans is for the authors of “The First Step” the most functional aspect of his axiology. The relevance of the study is determined in the light of the problem of intercultural interaction, the perception by a particular culture of ways of expressiveness that are uncharacteristic for it, the formation of an unusual subject of poetic thinking.
About the Authors
I. A. KazharovaRussian Federation
Inna A. Kazharova – PhD in Philology, Senior Researcher, Kabardian Literature Sector
Nalchik
A. R. Borova
Russian Federation
Asiyat R. Borova – Doctor of Philology, Professor
Nalchik
References
1. Bakhtin, M. M. (1979). Aesthetics of verbal creativity. Moscow: Iskusstvo. 424 p. (In Russ.).
2. Barsukova, O. V., Kletsina, I. S. (ed.). (2009). Female images in fiction. In: Gender psychology. St. Petersburg: Peter. 167—184. ISBN 978-5-388-00541-0. (In Russ.).
3. Bedny, D. (1954). Collected works in 5 volum, 3. Poems, epigrams, fables, poems, fairy tales 1921—1929. Moscow: GIHL. 421 p. (In Russ.).
4. Bolotova, E. V. (2018). Formation of the image of a Soviet woman in the 20—30s of the twentieth century (based on the materials of publications of the magazine “Worker”). Bulletin of Humanitarian Education, 2: 60—69. DOI: 10.25730/VSU.2070. 18. 021. (In Russ.).
5. Broitman, S. N. (1997). Russian lyrics of the XIX—XX century in the light of historical poetics: subject-figurative structure. Moscow: RSUH. 307 p. ISBN 5-7281-0140-2. (In Russ.).
6. Chernets, L. V. (ed.). (2006). Introduction to literary studies: a textbook for students of higher educational institutions studying in the direction and specialty “Philology”. Moscow: Higher School. 679 p. ISBN 5-06-004233-2. (In Russ.).
7. Chevtaev, A. A. (2016). “Point of view” and “intention” in the structure of a lyrical work (On the question of the correlation of concepts). New Philological Bulletin, 1 (36): 41—55. (In Russ.).
8. Filatov, V. A. (2019). Axiology in literary theory: the main areas of value analysis. Siberian journal of Philology, 4: 130—138. —DOI: 10.17223/18137083/69/11. (In Russ.).
9. Ginzburg, L. Ya. (1974). About lyrics. Moscow: Soviet writer. 408 p. (In Russ.).
10. Kazharova, I. A. (2014). “Costume appearance” as a way to concretize the ideal. Observatory of Culture, 6: 106—113. (In Russ.).
11. Kazharova, I. A., Kuchukova, Z. A., Berberova, L. B. (2020). Author’s Modality of Didactic Text and Reader’s Perception (by Example of A. G. Dymov’s “Adab”). Nauchnyi dialog, 8: 215—229. DOI: 10.24224/2227-1295-2020-8-215-229. (In Russ.).
12. Khalizev, V. E. (2005). Value orientations of Russian classics. Moscow: “Gnosis”. 432 p. ISBN 5-7333-0166-X. (In Russ.).
13. Kholshevnikov, V. E. (ed.). (1983). A thought armed with rhymes. Poetic anthology on the history of Russian verse. Leningrad: Leningrad University Press. 446 p. (In Russ.).
14. Korman, B. O. (1972). Studying the text of a work of art. Moscow: Prosveshchenie. 110 p. (In Russ.).
15. Lunin, E. (1930). Agitational literature. Literary encyclopedia in 11 volum, 1. Moscow: Publishing House of the Communist Academy. 45—54. (In Russ.).
16. Mashitlova, E. M. (1977). The formation and development of socialist realism in Kabardian prose. Nalchik: Elbrus. 130 p. (In Russ.).
17. Mayakovsky, V. (1958). The complete collection of works in 13 volumes, 9. Moscow: GIHL. 611 p. (In Russ.).
18. Naloyev, D. M. (2005). Literary heritage. Nalchik: El-Fa. 225 p. (In Russ.).
19. Proletarian poets of the first years of the Soviet era. (1959). Leningrad: Soviet writer. 610 p. (In Russ.).
20. Semenova, S. G. (2001). Russian poetry and prose of the 1920s—1930s. Poetics-Vision of the world-Philosophy. Moscow: IMLI RAS, “Heritage”. 590 p. ISBN 5-9208-0092-5. (In Russ.).
21. Sultanov, K. K. (2018). National identity and artistic value: on the issue of complementarity of ethno-cultural discourse and axiological approach. Studia Litterarum, 3 (2): 230—248. DOI: 10.22455/2500-4247-2018-3-2-230-251. (In Russ.).
22. Tynyanov, Yu. N. (1977). Poetics. The history of literature. Kino. Moscow: Nauka. 571 p. (In Russ.).
Review
For citations:
Kazharova I.A., Borova A.R. Axiology of Subject of Declarative-Publicistic Poetry (First Collection of Soviet Kabardian Poets “First Step”). Nauchnyi dialog. 2021;(10):265-281. (In Russ.) https://doi.org/10.24224/2227-1295-2021-10-265-281