Preview

Nauchnyi dialog

Advanced search

Visual Poetry of Vasily Kamensky

https://doi.org/10.24224/2227-1295-2025-14-5-289-303

Abstract

This paper offers an interpretation of select poems by the early 20th-century avant-garde poet Vasily Kamensky. Through an examina tion of early works from Kamensky's collec tion of “reinforced concrete poems,” particu larly “Tango with Cows” (1914), various ex amples of the poet's visual texts are explored. Possible interpretations of the complex, often elusive pictorial poems of the aviator-poet are proposed. The texts of the poems “Vasily Ka mensky's Flight on an Airplane in Warsaw” and “Constantinople” are analyzed, focusing on the techniques and mechanisms that gener ate unusual visual impressions characteristic of the poet's avant-garde works. The study traces how the visual imagery within the po etic text complements its verbally conveyed content. It is demonstrated that Kamensky's pictorial poems possess a strict logic of con struction, a clear sequence of plot develop ment, and a thoughtfully designed composi tional structure, mediated by both the seman tics of the depicted imagery and overarching avant-garde strategies. The research shows that the “complexity” and “mystique” of Ka mensky's poems from “Tango with Cows” are superficial; with careful attention to visual tactics, their secrets can be readily unveiled. It is emphasized that Kamensky's pictorial poems embody not only a “cosmic” but also a “terrestrial” nature. Furthermore, the con text of avant-garde literature, within which the poet was formed, did not hinder the crea tion of deeply poetic and exquisite works.

About the Author

O. V. Bogdanova
Russian Christian Academy for Humanities named after Fyodor Dostoevsky
Russian Federation

Olga V. Bogdanova, Doctor of Philology, Professor, Scientific Research Humanitarian Center “Slovo”

ResearcherID: C-5907-2016

ScopusAuthorID 57219902824 



References

1. Biryukov, S. E. (1994). Zevgma. Russian poetry from Mannerism to postmodernism. Author’s abstract of PhD Diss. Moscow. 20 p. (In Russ.).

2. Fauconnier, B. (2011). Cezanne. Moscow: Molodaya Gvardiya Publ. 314 p. ISBN 978-5-235 03444-0. (In Russ.).

3. Galechyan, V. A. (2023). Visual poetry. Moscow: Moscow Union of Writers. 84 p. ISBN 978 5-91696-060-0. (In Russ.).

4. Gasparov, M. L. (2001). Russian verse of the early twentieth century in the comments. Mos cow: Fortuna Limited. 288 p. ISBN 5-85695-023-2. (In Russ.).

5. Geek, Yu. (2004). Visual poetry. Theory and practice. Draft, 19. Available at: https://reading hall.ru/publication.php?id=12664 (accessed 21.04.2025). (In Russ.).

6. Kazarina, T. V. (2005). Three epochs of the Russian literary avant-garde (the evolution of aes thetic principles). Author’s abstract of Doct. Diss. Samara. 38 p. (In Russ.).

7. Kuchina, S. A. (2016). Kinetic Electronic Poetic Texts: Structure and Lexical-Stylistic Fea tures. Nauchnyy dialog, 10 (58): 157—169. (In Russ.).

8. Kulakov, V. V. (1995). Visuality in modern poetry: minimalism and maximalism. UFO, 16: 253—257. (In Russ.).

9. Markov, V. F. (2000. The history of Russian Futurism. St. Petersburg: Alethea. 438 p. ISBN 5-89329-274-X. (In Russ.).

10. Molok, Yu. (1991). Typographic experiments of the futurist poet [Appendix]. In: Kamensky V. Tango with cows. Reinforced concrete poems. Moscow: The book. 36 p. +15 p. ISBN 5-212-00585-X. (In Russ.).

11. Orlitsky, Yu. B. (1995). The visual component in modern Russian poetry. UFO, 16: 181—192. (In Russ.).

12. Severyanin, I. (1995). Essays: in 5 volumes, 2. Saint Petersburg: Logos. 704 p. ISBN 5-87288 082-0. (In Russ.).

13. Spassky, S. (1940). Mayakovsky and his companions. Memoirs. Moscow: Soviet Writer. 159 p. (In Russ.).

14. Sukhovey, D. A. (2008). Graphics of modern Russian poetry. Author’s abstract of PhD Diss. St. Petersburg. 27 p. (In Russ.).

15. Zlydneva, N. (2013). Visual narrative: the experience of mythopoeic reading. Moscow: Indrik. 360 p. ISBN 978-5-91674-266-2. (In Russ.).


Review

For citations:


Bogdanova O.V. Visual Poetry of Vasily Kamensky. Nauchnyi dialog. 2025;14(5):289-303. (In Russ.) https://doi.org/10.24224/2227-1295-2025-14-5-289-303

Views: 37


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 2225-756X (Print)
ISSN 2227-1295 (Online)