Elias Canetti’s «Babylonian Library»
https://doi.org/10.24224/2227-1295-2026-15-5-343-359
Abstract
This study examines Elias Canetti’s (1905–1994) novel Auto-da-Fé as a chronicle of one man’s library and the tragedy of its owner, who ultimately loses his connection to reality. The analysis reveals that the authorial triad— «the head without a world», «the headless world», and «the world within the head»— serves as a metaphor for a world «in a state of disintegration» (Canetti). The relevance of this inquiry stems from two primary imperatives: first, the necessity to comprehend the role of the library as a vehicle of cultural transfer; second, the significance of the «library» motif within literary fiction. By invoking Jorge Luis Borges's metaphor of the «Library of Babel», the concept of the «library» is interpreted as both a social and spiritual institution. It unites texts of world literature into a continuous whole — a seamless entity symbolizing humanity's accumulated knowledge, which is preserved and transmitted across generations. Particular attention is devoted to the idiosyncratic narrative organization of the novel. This paper argues that provocation, parody, and paradox — as facets of the overarching narrative strategy — intensify the author’s intentionality. These elements reflect the writer’s credo by highlighting the interplay between the rational and irrational, the constructive and the destructive. It is noted that Canetti succeeds in eliciting a genuine spectrum of emotions from the reader, ranging from astonishment and outrage to an acceptance of multiple interpretations instigated by both the implied author and the narrator. The novelty of this research lies in its chosen perspective, analyzing the work through the lens of narratology.
About the Authors
E. M. ShastinaRussian Federation
Elena M. Shastina, Doctor of Philology, Professor, Department of German Philology
Kazan
J. K. Kazakova
Russian Federation
Julia K. Kazakova, PhD in Philology, Associate Professor, Department of English Philology and Fundamentals of Intercultural Communication
Kazan
References
1. Bakhtin, M. M. (1975). Questions of literature and aesthetics. Studies of different years. Moscow: Khudozhestvennaya literatura. 504 p. (In Germ.).
2. Belobratov, A. V. (2000). Library, tavern, pawnshop and madhouse: a novel by Elias Canetti in the context of the “Ex-Libris”. St. Petersburg Book Bulletin, 5 (16): 11—12. (In Germ.).
3. Chavdarova, D. (2021). Book / literature / library as an anti-value in the works of V. Bryusov and A. Blok. Philological class, 26 (4): 76—84. DOI: 10.51762/1FK-2021-26-04-06. (In Germ.).
4. Dickhaut, K. (2005). Das Paradox der Bibliothek. Metapher, Gedächtnisort, Heterotopie. In: Erinnerung, Gedächtnis, Wissen. Studien zur kulturwissenschaftlichen Gedächtnisforschung. Göttingen: Vandenhoeck & Ruprecht. 297—331. ISBN 978-3-525-35585-5. (In Germ.).
5. Fedoseeva, T. V., Ershova, G. I. (2013). On the literary paradox. Bulletin of Ryazan State University named after S. A. Yesenin, 1 (38): 83—92. (In Germ.).
6. Fedyaeva, T. A. (2000). Comments. In: Canetti E. Blinding: a novel. Translated from German by S. Apt. St. Petersburg: Symposium. 573—597. ISBN 5-89091-117-1. (In Germ.).
7. Gemmel, M., Margit, V. (2013). Wissensräume. Bibliotheken in der Literatur. Berlin: Ripperger & Kremers. 352 S. ISBN 978-3-943999-03. (In Germ.).
8. Gradmann, S. (2012). “Bibliothek“ als Begriff und Metapher: Von der Büchersammlung zur Programmbibliothek. In: Handbuch Bibliothek. Geschichte, Aufgaben, Perspektiven. Stuttgart, Weimar: Metzler. 3—10. ISBN 978-3-476-02376-6. (In Germ.).
9. Hanuschek, S. (2005). Elias Canetti. Biographie. München, Wien: Carl Hanser Verlag. 800 S. ISBN 3-446-20584-5. (In Germ.).
10. Hölter, A. Das Bibliothekmotiv im literaturwissenschaftlichen Diskurs. Available at: https://complit.univie.ac.at/fileadmin/user_upload/p_complit/Achim_Hoelter/Publikationen__pdfs_/D_93_-_Hoelter_-_Das_Bibliotheksmotiv_im_literaturwissenschaftlichen_Diskurs_OCR.pdf (accessed 05.01.2026). (In Germ.).
11. Honold, A. (2008). Canettis „Blendung“ und die brennende Bibliothek. Zur Literaturgeschichte des Autodaf¦s. In: Der Überlebende und sein Doppel. Kulturwissenschaftliche Analysen zum Werk Elias Canettis. Freiburg, Berlin, Wien: Rombach. 75—95. ISBN 978-3-7930-9474-6. (In Germ.).
12. Körte, M. (2008). Von Buchstabenessern und Bücherstürmern. Der uneigentliche Gebrauch der Bücher bei Elias Canetti. In: Der Überlebende und sein Doppel. Kulturwissenschaftliche Analysen zum Werk Elias Canettis. Freiburg, Berlin, Wien: Rombach. 109—124. ISBN 978-3-7930-9474-6. (In Germ.).
13. Kudryashov, I. A., Ryabko, O. P., Grigoryeva, N. O. (2024). Unreliable Narrator and Its Pragmatic Effects in V. V. Nabokov’s “Pale Fire”. Nauchnyi dialog, 13 (10): 273—291. https://doi.org/10.24224/2227-1295-2024-13-10-273-291. (In Russ.).
14. Lotman, M. Y. (1998). Exit from the labyrinth. In: U. Eco. The name of the rose. Moscow: Fiction. 650—669. (In Germ.).
15. Matveev, M. Y., Ravinsky, D. K. (2003). The image of the library in the works of fiction. In: Literary and sociological essays. Russian National Library. St. Petersburg: RNB. 136 p. ISBN 5-8192-0171-H. (In Germ.).
16. Neumann, G. (2002). Bibliothek und Psychiatrie. Wissensordnung und Autodafe in Canettis Roman „Die Blendung“. In: Masse und Medium. Verschiebungen in der Ordnung des Wissens und der Ort der Literatur 1800/2000. Berlin: Akademie. 97—112. ISBN 978-3-05003-531-4. (In Germ.).
17. Pavlova, N. S. (2005). The nature of reality in Austrian literature. Moscow: Languages of Slavic Culture. 312 p. ISBN 5-9551-0106-3. (In Germ.).
18. Schmid, V. (2001). Notes on the paradox. In: Paradoxes of Russian literature, 3. St. Petersburg: INAPRESS. 9—16. (In Germ.).
19. Shastina, E. M. (2014). E. Canetti and V. Nabokov: the poetics of parody. Philological Sciences. Questions of theory and practice, 8: 210—212. (In Germ.).
20. Stocker, G. (1998). Das Motiv der Bibliothek in der Literatur des 20. Jahrhunderts. Zur Aktualität der Motivforschung. Weimarer Beiträge 44. 554—574. (In Germ.).
21. Sysoeva, O. A. (2013). Literary parody: the problem of genre. Bulletin of the Nizhny Novgorod Lobachevsky University, 5 (1): 330—335. (In Germ.).
22. Tyupa, V. I. (2011). Narrative strategy of the novel. New Philological Bulletin, 3 (18): 8—25. (In Germ.).
23. Tyupa, V. I. (2018). The genre nature of narrative strategies. Leiderman readings: Aesthetics of Minimalism. Philological class, 2 (52): 19—24. (In Germ.).
24. Wachinger, K. (2025). Kleine zusammenfassende Vorstellung der Zürcher Ausgabe sämtlicher Werke von Elias Canetti. Tagung: Elias Canetti — Der Ohrenzeuge des Jahrhunderts vom 14.10.2025. Available at: https://eliascanetti.org/2025/10/20/tagungelias-canetti-der-ohrenzeuge-des-jahrhunderts/ (accessed 09.01.2026). (In Germ.).
25. Zatonsky, D. (2000)> Preface. Elias Canetti, author of “Dazzle”. In: E. Canetti. Blinding: A novel. Saint Petersburg: Symposium. 5—26. ISBN 5-89091-117-1. (In Germ.).
26. Zhilicheva, G. A. (2015). Narrative strategies in the genre structure of the novel (based on the material of Russian prose from the 1920s to the 1950s. Author’s abstract of Doct. Diss. Moscow. 50 p. (In Germ.).
Review
For citations:
Shastina E.M., Kazakova J.K. Elias Canetti’s «Babylonian Library». Nauchnyi dialog. 2026;15(5):343-359. (In Russ.) https://doi.org/10.24224/2227-1295-2026-15-5-343-359
JATS XML





















